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(JazzPlanet) Miles Davis Round About Midnight (2005) (Eac Single Flac Cue)
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Miles Davis - Round About Midnight
Artist: Miles Davis
Album Title: Round About Midnight
Label: Columbia
Catalog: COL 519957 2
Format:2 x CD, Album, Reissue
Country:UK
Released:2005
Genre:Jazz
Style:Hard Bop, Bop, Cool Jazz
Recording information: Newport Jazz Festival, Newport, Rhode Island (07/17/1955); Columbia Studio
D, New York, New York (10/26/1955); Pasadena Civic Auditorium, Pasadena, California (02/18/1956);
Columbia 30th Street Studio, New York, New York (06/05/1956 - 09/10/1956).
Includes liner notes by Bob Blumenthal.
Extractor: EAC 0.99 prebeta 4
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue (Noncompliant)
CD 1 Accuraterip: (confidence 21)
CD 2 Accuraterip: (confidence 16)
Size Torrent: 454 Mb
Cover Booklet included
tracklist
CD1
1. Round Midnight
2. Ah-Leu-Cha
3. All Of You
4. Bye Bye Blackbird
5. Tadd's Delight
6. Dear Old Stockholm
7. Two Bass Hit - (bonus track not on original LP)
8. Little Melonae - (bonus track not on original LP)
9. Budo - (bonus track not on original LP)
10.Sweet Sue, Just You - (bonus track not on original
CD2
1. Round Midnight
2. Introduction By Gene Norman - (previously unreleased, live)
3. Chance It (Aka Max Is Making Wax) - (previously unreleased, live)
4. Walkin' - (previously unreleased, live)
5. Gene Norman & Miles Davis - (previously unreleased, live)
6. It Never Entered My Mind - (previously unreleased, live)
7. Woody 'N You - (previously unreleased, live)
8. Salt Peanuts - (previously unreleased, live)
9. Theme, The - (previously unreleased, live)
Liner Note Authors: George Avakian; Bob Blumenthal.
Personnel: Miles Davis (trumpet); John Coltrane (tenor saxophone); William "Red" Garland (piano);
Paul Chambers (bass); Philly Joe Jones (drums).
Personnel: Miles Davis (trumpet); John Coltrane, Zoot Sims (tenor saxophone); Gerry Mulligan
(baritone saxophone); Red Garland, Thelonious Monk (piano); Paul Chambers, Percy Heath (bass
instrument); Connie Kay, Philly Joe Jones (drums).
Bass - Paul Chambers (tracks: 1.01 to 1.10, 2.02 to 2.09) , Percy Heath (tracks: 2.01)
Drums - Philly Joe Jones (tracks: 1.01 to 1.10, 2.02 to 2.09) , Connie Kay (tracks: 2.01)
Piano - Red Garland (tracks: 1.01 to 1.10, 2.02 to 2.09) , Thelonious Monk (tracks: 2.01)
Saxophone [Baritone] - Gerry Mulligan (tracks: 2.01)
Saxophone [Tenor] - John Coltrane (tracks: 1.01 to 1.10, 2.02 to 2.09) , Zoot Sims (tracks: 2.01)
Trumpet - Miles Davis
Written-By - B. Hanighen (tracks: 1.01, 2.01) , B. Powell (tracks: 1.09) , C. Parker (tracks:
1.02) , C. Porter (tracks: 1.03) , C. Williams (tracks: 1.01, 2.01) , D. Gillespie (tracks: 1.07,
2.07, 2.08) , J. McLean (tracks: 1.08) , J. Lewis (tracks: 1.07) , K. Clarke (tracks: 2.08) , M.
Davis (tracks: 1.09, 2.09) , M. Dixon (tracks: 1.04) , O. Pettiford (tracks: 2.03) , R. Henderson
(tracks: 1.04) , R. Carpenter (tracks: 2.04) , R. Rodgers-L. Hart (tracks: 2.06) , T. Dameron
(tracks: 1.05) , T. Monk (tracks: 1.01, 2.01) , Trad. (tracks: 1.06) , V. Young (tracks: 1.10) ,
W.J. Harris (tracks: 1.10)
Track Listing
http://www.cduniverse.com/search/xx/music/pid/6869894/a/Round+About+Midnight:+Legacy+Edition.htm
http://www.youtube.com/watch?v=vwtN7WuOEoA&feature=related
review
With the release of the spectral title tune, and the efforts of the Columbia marketing and
publicity departments behind him, a thirty-year old Miles Davis entered into a period of
extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his
star quality. Looming behind those shades, was the diffident, sensitive anti-hero--proud and
defiant--who only spoke to his audience through his horn, and turned his back on them when the
other soloists were blowing.
The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT
and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles
Davis became one of the greatest soloists, arrangers and talent scouts in the history of American
music. People who didn't own a single jazz record came to know his name--Miles was a jazz icon.
His famous intro on the title tune is based on mentor Dizzy Gillespie's arrangement, and Miles'
tone, always a strong point, has here matured into something deeply personal and unique. His
provocative use of space and silence--matched only by Lester Young, Billie Holiday and Thelonious
Monk--sets up the famous release and Coltrane's agitated statement. Here and on the Prestige
recordings, Coltrane found his voice as Miles' foil, while "The Rhythm Section" (pianist Red
Garland, bassist Paul Chambers and drummer Philly Joe Jones), became the most celebrated in
jazz--capable of smooth, bouncy delicacy ("Dear Old Stockholm," "All Of You" and "Bye Bye
Blackbird"), hard swing ("Tadd's Delight") and relentless complexity (Charlie Parker's
contrapuntal "Ah-Leu-Ch"). A masterpiece.