Drum N Bass

SGN LTD Proxima SGN011 VINYL 2008 sourTheSurgeons org

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\ /: _\ rippers /____: release no ( 9700 ) \ rating |: \_____. |: artist (Proxima ) | .---. |: title (Critical Force / Layers ) | 0 | | |: record label (SGN:LTD (SGN011) ) | 9 | | |: genre (Drum & Bass ) | 8 |%%%| |: release date (2008/08/31) | 7 |%%%| |: street date (2008/09/22) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (11:58 min) ( 18.8 mb) | `---' |: `----------': _. ____ ____ ____ __
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|_____|__|__|_____|_____|__|__|: | :: nr times track titles
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| A 5:58 Proxima - Critical Force |
| AA 6:00 Proxima - Layers |
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| | | |
| | Holland is rapidly gaining a reputation for | |
| | developing world-class Drum & Bass artists, | |
| | and Gijs Snik, otherwise known as Proxima is | |
| | no exception. Having forged his own signature | |
| | production style in a short space of time, | |
| | his distinctive, rugged sound is pushing the | |
| | harder side of D&B sound to new levels. | |
| | | |
| | SGN:LTD are proud to present Proxima's debut | |
| | solo release, and an excellent debut it is | |
| | with 2 tracks of the highest calibre. Drawing | |
| | influence from the late nineties hardstep | |
| | sound with a 2008 edge, "Critical force" | |
| | summarises all the elements of a classic | |
| | proxima track. Industrial soundscapes, misty | |
| | atmospheres and stomping beats combine in the | |
| | build up, cumulating into a barrage of | |
| | sturdy, twisting bass and reinforced chunky | |
| | drums. "Layers" is a deceptive one, calmly | |
| | building with eerie pads, effects and | |
| | glitches, then bam... the warping, spiraling | |
| | bassline drops with devestating force. | |
| | Basscones beware! | |
| | | |
| | DJ Support from Friction, Teebee, Icicle, | |
| | D-Bridge, Alix Perez and many more. | |
| | | |
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| | | | | | | | | | | | d i s c l a i m e r: |
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|__|__|_____|_____|_____|_____|: | :: | |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
`---------------------------------------------------------/ |
/____________________|: sour productions(c) 1999-2008

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