Metal

Motley Crue Saints Of Los Angeles 2008 FLAC WH FLAWL3SS

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Motley Crue - Saints Of Los Angeles
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Artist...............: Motley Crue
Album................: Saints Of Los Angeles
Genre................: Metal
Source...............: CD
Year.................: 2008
Ripper...............: Exact Audio Copy (Secure mode) / Level 8 & TSSTcorp CDDVD SE-S204N
Codec................: FLAC

Quality..............: Lossless, (avg. compression: 78 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Unscensored / Explicit Lyrics

Ripped by............: FLAWL3SS on 8/19/2008
Posted by............: FLAWL3SS on 8/19/2008
News Server..........: None
News Group(s)........: None

Included.............: NFO, M3U, LOG, CUE
Covers...............: Front Back Inlay

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Tracklisting
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1. (00:01:21) Motley Crue - L.A.M.F.
2. (00:03:45) Motley Crue - Face Down In The Dirt
3. (00:03:45) Motley Crue - What's It Gonna Take
4. (00:03:50) Motley Crue - Down At The Whisky
5. (00:03:40) Motley Crue - Saints Of Los Angeles
6. (00:03:55) Motley Crue - Mutherfucker Of The Year
7. (00:04:17) Motley Crue - The Animal In Me
8. (00:03:01) Motley Crue - Welcome To The Machine
9. (00:03:37) Motley Crue - Just Another Psycho
10. (00:03:13) Motley Crue - Chicks = Trouble
11. (00:03:26) Motley Crue - This Ain't A Love Song
12. (00:02:51) Motley Crue - White Trash Circus
13. (00:03:27) Motley Crue - Goin' Out Swingin'

Playing Time.........: 00:58:54
Total Size...........: 336.53 MB

NFO generated on.....: 8/19/2008 10:43:12 AM


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Band:
Vince Neil - lead and background vocals
Mick Mars - guitars and vocals
Nikki Sixx - bass and vocals
Tommy Lee - drums and vocals


Additional Musicians:
Marti Frederiksen - background vocals
Melissa Harding - background vocals


Production:
Produced, engineered and mixed by James Michael. Co-produced by Nikki
Sixx and D.J. Ashba.


It's been eleven years to the day since the original members of Motley Crue
issued a new studio album (Generation Swine was released on June 24,
1997), and man have they delivered! Lyrically based on their autobiography
'The Dirt', this album drips of sleaze, filth, sex, drugs and Rock N' Roll! This 13
track album really gathers all the things the Crue are best known for and
combines it into a cohesive platter, something fans will be rejoicing about for
awhile to come. The thing I am most happy about is you can taste Mick Mars'
stank all over this album, and Motley Crue can only benefit from more input
on any level from him. Mick has seven co-writes and his unmistakable playing
stands out like it should.
This is the best album Motley Crue has released since 1994's offering with
John Corabi. The similarities between the greatness of MC94 and Saints Of
Los Angeles are the injection of fresh-blood into the writing mix. In 1994 it
was John Corabi and now it is James Michael, D.J. Ashba and Marti
Fredrickson, as well as Mick Mars' input.
The album starts off with "L.A.M.F.", an intro in the vein of what the band
did with "Shout At The Devil" and "Dr. Feelgood". From there it is balls to the
wall with "Face Down In The Dirt", a song recounting a kid's early dreams of
making it as a rockstar which features some ferocious punk-flavored
drumming from Tommy Lee. "What's It Gonna Take" is a mid-tempo rocker
that features one of my favorite guitar solos on the album, albeit it short, it
gets the point across with some nasty wah-wah riffs and dive-bombs that are
classic Mick Mars. "Down At The Whiskey" is my favorite cut on this album. It
is a borderline ballad that kicks in at the choruses and Vince Neil really shines
vocally here. "Saints Of Los Angeles" was the first single released from the
album and while I like the track, I think they could have picked a better single.
"Mutherfucker Of The Year" is pure groove and very reminiscent musically of
"Sick Love Song" from Red, White & Crue. It has very demented vocals and
some of Mars' best fretwork lies within this cut.
"The Animal In Me" has 'hit' written all over it. You can feel the Sixx: A.M.
influence all over this track and Vince sounds better than he has in years.
Imagine Sixx: A.M.'s "Life Is Beautiful" crossed with Vince's last solo single
"Promise Me" and that's what I get out of this song. Tommy's drumming
before the solo is outright insane and Mick lays down a solo that really adds
to the song. "Welcome To The Machine" reminds me of early Crue as it is fast
paced and full of punk attitude. If you dug the drumming on "Kickstart My
Heart" or "Smoke The Sky", then this track will have you beating the shit out
of your dashboard as you head down the road. "Just Another Psycho" is
stellar musically as Sixx really lays in the pocket and puts down a groove, I'm
not too fond on the lyrics though.
I feel "Chicks = Trouble" should be the second single for a multitude of
reasons. For one, Motley Crue's fan base is predominately male and we can
all relate to the lyrics here. Secondly the track is full of hooks from top to
bottom - the censors will have fun with some of the lyrics though. A full on
rocker, it is probably my second favorite tune on this album. Another groove-
laden track, "This Ain't A Love Song", is another potential single. If you are a
fan of tracks like "Primal Scream" and "Sick Love Song", as I am, then this is
right up your alley with some beautiful slide work added into the multi-
dimensional solo. "White Trash Circus" sounds eerily close to Skid Row's "New
Generation" as the lyrics are Motley's career summed up in two minutes and
fifty-one seconds. The album ends with the track that caused Saints Of Los
Angeles to be delayed by a week, when at the CrueFest press conference,
they wrote this cut and re-entered the studio to add it to the album. It is the
perfect bookend to S.O.L.A. as an album. It really displays the Crue attitude
of continuing to forge ahead and not going down without a fight. Some fans
have wondered if this song means the band are done and that this is their
swan song. I doubt it, I think Motley Crue is finally back as they should be!
All in all, like I said before, this album is Motley's best work since MC94, and
if done right this album could help put the band back on the map musically
instead of jail terms, OD's and porn tapes.

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