Rock

Robin Trower BBC Radio 1 Live In Concert *FLAC*

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Robin Trower - BBC Radio 1 Live In Concert
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Artist...............: Robin Trower
Album................: BBC Radio 1 Live In Concert
Genre................: Rock
Source...............: CD
Year.................: 1992
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Flac Level 8.

Ripped by............: Somebody on 06/04/2009
Posted by............: Somebody on 06/04/2009
News Server..........: news.astraweb.com
News Group(s)........: alt.binaries.sounds.mp3.metal.full.albums

Included.............: NFO, M3U, LOG, CUE,TAU ANALYZER.
Covers...............: Front Back CD

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Tracklisting
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1. (00:04:04) Robin Trower - Day Of The Eagle
2. (00:06:12) Robin Trower - Bridge Of Sighs
3. (00:03:15) Robin Trower - Gonna Be More Suspicious
4. (00:03:29) Robin Trower - Fine Day
5. (00:02:56) Robin Trower - Lady Love
6. (00:03:59) Robin Trower - Twice Removed From Yesterday
7. (00:07:28) Robin Trower - Daydream
8. (00:04:25) Robin Trower - Alethea
9. (00:04:57) Robin Trower - A Little Bit Of Sympathy
10. (00:06:14) Robin Trower - Rock Me Baby

Playing Time.........: 01:22:32
Total Size...........: 320.15 MB

NFO generated on.....: 06/04/2009 13:17:09
:: Generated by Music NFO Builder v1.20 - www.nfobuilder.com ::


Biography from Allmusic.com

Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix, due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945, in Catford, England, Trower spent the early '60s playing guitar in various London based outfits; the most successful one being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades.

While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work, and eventually left for a solo career. Enlisting singer/bassist James Dewar and drummer Reg Isidore (who was soon replaced by Bill Lordan) as a backing band, Trower issued his solo debut, Twice Removed From Yesterday, in 1973. The album barely left a dent in the U.S. charts, but that would change soon enough with his next release, 1974's Bridge of Sighs. With rock fans still reeling from Hendrix's death a few years earlier, the album sounded eerily similar to the late guitarist's work with the Jimi Hendrix Experience (especially his 1968 release, Electric Ladyland), and as a result, the album sky rocketed into the U.S. Top Ten, peaking at number seven.

Although Bridge of Sighs was to be his most popular solo release, Trower's stock continued to rise throughout the mid-'70s, as he became an arena headliner on the strength of such hit albums as 1975's For Earth Below, 1976's Robin Trower Live!, and Long Misty Days, plus 1977's In City Dreams. Further releases followed, yet by the dawn of the '80s, it became quite obvious that Trower's star was rapidly fading, as each album sold less than its predecessor. A brief union with ex-Cream bassist/vocalist Jack Bruce spawned a pair of releases, 1981's B.L.T. and 1982's Truce, before Trower returned back to his solo career.

The '80s saw Trower try and expand his audience with several releases that attempted to update his blues-rock style (such as 1987's slick produced Passion), but none returned the guitarist back to the top of the charts. During the early '90s, Trower returned back to Procol Harum for a brief reunion (1991's Prodigal Stranger), before backing ex-Roxy Music singer Bryan Ferry on a few releases (1993's Taxi and 1994's Mamouna, the latter of which Trower earned a co-producer credit for). Trower continued to issue solo albums in the 21st century (2000's Go My Way), while a steady stream of live sets and compilations appeared. Trower returned to work with Ferry once more on 2002's Frantic, again earning a production credit. Reassembling most of his late-'80s band, Trower released Living Out of Time in 2004 and returned with Another Days Blues in late 2005.


Review from Amazon.com


I've had this album since it was first released and consider myself lucky to have found it that soon. I have been a Trower fan since the early '70's when they guest starred on a local late night Philadelphia television program as an "unknown" artist.
Up until that time Bridge of Sighs was considered, by most, the definitive Trower album. Me? I've always been a fan of "live" albums and this one is among the best of the era. For Trower fans, I'd put it right up there with The Allman Bros. "Live At The Fillmore East."
Sonically, from a production standpoint the first track, Day of the Eagle, is not the best this album has to offer. Like many other British produced live albums it seems to take the sound/recording people some warm up time to get everything right. This collecton is no exception but at least it's honest about it. No studio tricks were used to fix the thin but clear sound on that first track.
And, this performance also let's us know why Robin Trower was not the lead vocalist in the band from the title track of the first album Twice Removed From Yesterday.
You won't find a lot of jamming in this performance as the band plays it pretty straight.
In spite of these minor glitches, this is still a fantastic example of a '70's band, and Trower, at it's very best. All the Trower standards are here with a few not as often heard.
While "Day" and "Bridge" are still terrific selections, I, as a Blues fan, found myself warming up to Gonna Be More Suspicious sliding into Fine Day. But this album, as in the bands music in general, is mostly blues based material.
The mysterious and haunting Alethea is another good bit of lesser-known Trower.
The album culminates in a Trower version of B. B. King's Rock Me Baby. I could live without this one, but oh well....
Listening to "Live At BBC" makes me wish they could do a reunion tour/album (Jimmy DeWar died several years ago, and as the band's voice is irreplacable) and relive the memories all over again. Maybe they would even create some new memories.
If you're a long time Trower fan, or just discovering how overlooked they were back then, and you don't have this in your collection, BUY IT, RENT IT, or STEAL IT, but LISTEN to it!!! You won't be sorry.

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